With difficulty: During our early research when we were trying to track down those who actually knew Tyke, we were not prepared for the level of resistance and antagonism we would encounter. How did you find the subjects in your film? In the course of our research we came across the story of Tyke whose story of rebellion against slavery and abuse we felt embodied many of the themes and questions we were exploring. They are highly intelligent, have extremely close family ties, show empathy and are among the few animals that exhibit self-awareness, something humans do not develop until the age of two. They believe that some animals have a level of consciousness that qualifies them for legal personhood. TYKE ELEPHANT OUTLAW grew out of our research into the work of a passionate group of lawyers that is attempting to fundamentally redefine the legal status of certain animals to provide them with some of the same basic rights as humans. How did you learn about the topic of your film and why did it inspire you to make a film about it? It soon became apparent that film and television was a very powerful way to communicate and explore political ideas so I made my first film and have never looked back. SL: After graduating from university, I was a stills photographer and became involved in documenting the feminist movement.
I left behind my plans to become an ivory tower academic and went out to find any work I could in the NYC film industry.
To me, the idea of capturing the events unfolding in society on film was incredibly exciting. In 1968, during my senior year at Columbia University, I had friends who were involved in filming the Columbia student revolt and I became aware of political filmmakers like Emile de Antonio. SM: When I was in college I saw the Maysles’ SALESMAN and it transformed what I thought about documentary and film altogether. We spoke to to co-directors and co-producers Susan Lambert and Stefan Moore about the film, screening as part of AFI DOCS 2015. The film TYKE ELEPHANT OUTLAW tells the story of the elephant with a focus on performing-animal abuse. Performing-animal abuse isn’t new and continues to make big waves. Yet few who knew the animal’s history - and the inhumane treatment she received in the off-season - were shocked. For more on the film, visit 1994, the world watched as Tyke the circus elephant rampaged through Honolulu, Hawaii after mauling her trainer to death. The film is a heartbreaking reminder of what circus elephants endure, despite what the industry portrays to its audiences. She escaped and made her way to the busy city streets, where she ultimately was gunned down in a hail of bullets. She went on a rampage, injuring a groom and killing her trainer before an arena filled with horrified spectators. Then, on August 20, 1994, while performing at an arena in Honolulu, Hawaii, Tyke reached her breaking point. Three months later, in North Dakota, she attacked a circus employee. There were warning signs that it was not safe for her to continue performing: At a circus in Pennsylvania, she ran off through a parking lot. She was hauled around the country, chained for up to 22 hours a day and repeatedly beaten in what was ultimately a futile effort to make her submit. Tyke’s story is similar to that of other elephants forced to perform inane acts for human entertainment and commercial gain. Her tale is recounted through historical footage and interviews with people who knew her, including those who worked around her and those who sought to protect her and her fellow pachyderms.
In 1973, a very young Tyke was wrested from her family in Mozambique and brought to the United States, where she was subjected to training by the Hawthorn Corporation and rented out to circuses. This riveting documentary tells the tragic story of Tyke, a wild elephant forced to live within the confines of circus life and perform tricks. Ending the Slaughter of Nonambulatory Pigs.State Wildlife Agency Contact Information.
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